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So many styles… it looks like the producers couldn’t decide the film’s tone, cut one too many times by successive editors from comedy to drama and back again? It’s almost punk in the ransom note grab-baggery. The “The” is a swaggering little brute, pushing its neighbors aside starting a turf war with its malformed ampersand sidekick. A gang of exuberant swashes. In isolation, the sweeping brush strokes are pleasant enough to overlook the odd things occurring in the reverse “3” “E” which crowds the “h” and is so loose and squiggly, unrelated to the “h”’s tight join of curve-to-stem.
©1934 and ™ First National and Warner Bros. Pictures?
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